Articles and Reviews

Photos of Your Dog In a Music Video

2012-01-10T21:42:00.001-08:00

There's a song on our upcoming album called "My Friend" I wrote about six months after our Golden Retriever (Lightfoot) passed away. It's a tribute to him and all the wonderful dogs who grace our lives for WAY too short a time. We are putting together a music video for the song and would like to include photos and/or video clips of our friends' dogs (living and gone.)

If you would like your dog to be featured in a KMB music video please send your jpeg photos or video clips via email to kennmorr@kennmorr.com . The video will be posted shortly after "Worth Imagining" is released so we need all submissions by Wednesday January 18th.

Thanks and we'll let you know when the video is available...For Morr info please visit www.KennMorr.com

Kenn Morr Band to return to Arbor Park

2011-07-24T11:55:00.000-07:00

By Steve Smith - Staff Writer
Ellington - Kenn Morr returns to Ellington for a free concert on July 31. Since the last time Kenn Morr played in Ellington, he has recorded not one, but two new CDs. In fact, the latest effort - which is still nameless - is so new that Morr still refers to the previous album - “Higher Ground,” which came out in May 2010 - as his “new” album.

Morr said an “interestingly strange and difficult” number of events in his personal life led to the writing and recording of the newer disc – in part, as a means of therapy – which was a quick turnaround in itself, considering that it usually takes close to two years for the entire process.

“There's not a central theme,” Morr said, adding that the loss of his mother as well as his sound engineer in the same year were events that stirred up things inside of him.

“What I do to cope is write, so I started writing, and writing a lot,” he said.

Those personal songs, however, won't be among those heard when Morr plays at Arbor Park on July 31, as part of the Summer Concert Series, because the recordings aren't available yet and the band hasn't rehearsed them yet.

“You go and record them, that's one thing,” he said. “Then you have to go and learn how to play them – it's kind of funny.”

So, the cuts from “Higher Ground” will be central to the July 31 show, along with some earlier pieces.

“We're doing 100 percent my material,” Morr said, “with stuff off of my five CDs to date.”

Morr said he has noticed, especially at his outdoor summer shows, that his music has a wide appeal.

“We get anywhere from young kids hanging out by the stage or up dancing on the green, up to people in their 80s, and everywhere in between,” he said. “People of all ages seem to dig it.”

Morr, who is from Colebrook, Conn., said Ellington has always been a special place for him, and is a town where he has been well-received.

“I love going there, and being there,” he said. “I just love the area.”

He added that one year his Ellington show met with a rainstorm and had to be moved to the Ellington High School auditorium, where about 30 people attended.

“We just had a magical night, even though there was only a handful of people there,” he said. “That made us look forward to coming back and playing again the next year. Somehow that handful of people in that room made it feel like there was 3,000 people in the audience. We saw what the people were made of.”

The Kenn Morr Band plays July 31, starting at 6 p.m. at Arbor Park. The show is free, although donations to the Parks and Recreation Department will be accepted.

NetRhythms.co.UK - United Kingdom

2011-03-02T15:15:00.000-08:00

The Kenn Morr Band - Higher Ground
A Long Island native now living in rural Connecticut, Morr has absorbed the community spirit and simpler life style into his songs, acoustic soulful Americana sung in a soft, whispery style that conjures thoughts of Dylan, Mellencamp, Jackson Browne, Steve Forbert and, at times, even Mark Knopfler.

It's a warm, intimate sound, the melodies flecked out with mandolins, dulcimer, accordion, fiddle and keyboards on songs that talk of making choices (Standin' Still), fighting against the everyday odds (Higher Ground, Spinning Wheel), ageing (Another Year), holding on in the face of life's storms (Restless Wind, Gone) and never letting your dreams grow too old to remember (Fly Free).

His lyrics are peppered with images of change, of leaving things behind to find something more soothing to the soul, and that's pretty much the effect the music has, whether he's plugging into the backwoods folk blues of The Jewel or shuffling on the jerky rhythms of Spinning Wheel. One for those cold nights when you want to feel the world still holds a place for you. Morr, please.

Real Roots Cafe' - Holland

2011-03-02T15:08:00.000-08:00

The Kenn Morr Band - Higher Ground
In een plattelandsstadje, in de Amerikaanse staat Connecticut, woont singer-songwriter Kenn Morr. Hij houdt van een rustieke omgeving met ruisende beekjes, een entourage die we ook weerspiegeld zien op zijn vijfde album Higher Ground. In een serene, bijna intieme sfeer speelt hij en zijn begeleidingsband, tien fluweelzachte folksongs, die je aanvankelijk vanwege lispelende zang, mijmerende melodieën en lieflijke instrumentale behandeling, gelijk wilt afserveren. Doorluisteren loont echter, met als gevolg dat gapen in genieten overgaat. Je ontdekt heel langzaam de naturelle schoonheid van de muziek, dankzij een veelheid aan voornamelijk akoestische instrumenten. Steunend op het kalme ritme van drums en bas, zijn het gitaren, mandoline, bouzouki, accordeon, dulcimer, cajon, piano, Afrikaanse duimpiano(?) conga’s en de mooi meerstemmige zang die de liedjes een heel mild karakter bezorgen. Harmonie is zo te horen in alles het sleutelbegrip geweest, welke sfeer door de The Kenn Morr Band met een haast achteloze vanzelfsprekendheid wordt overgebracht. Dat mag misschien niet erg spannend klinken, maar steeds meer heb ik me met toenemend plezier, aan deze 45 minutendurende manier van onthaasten overgegeven (Huub Thomassen)

Real Roots Cafe' - Holland

2011-03-02T14:50:00.001-08:00

The Kenn Morr Band - Higher Ground
In a country town in the U.S. state of Connecticut, lives singer-songwriter Kenn Morr. He likes his rustic settings with rushing streams, an entourage that we see reflected on his fifth album, Higher Ground. In a serene, almost intimate atmosphere he and his band play ten velvety folk songs. You initially hear hushed vocals, brooding melodies and gentle instrumental treatment, similar to afserveren. But Listening pays off. You discover slowly the native beauty of the music, thanks to a multitude of mainly acoustic instruments. Drawing on the calm rhythm of drums and bass are the guitars, mandolin, bouzouki, accordion, dulcimer, cajon, piano, African thumb piano (?) Congas and beautiful vocal harmonies. This delivers a very mild character to the songs. Harmony is the key notion and the mood of The Kenn Morr Band transmitts almost a casual naturalness. That might not sound very exciting, but I have increasingly had the pleasure of listening to this 45 minute CD and have used it as a way to relax.
(Huub Thomassen)

Belgium Website Ranks The Kenn Morr Band's "Higher Ground" among the "Best of 2010"

2011-01-16T09:28:00.000-08:00

The Kenn Morr Band's new CD "Higher Ground" is ranked among the "Best CDs of 2010" 0n Belgium's American Music Homestead site : http://americanmusicbelgium.homestead.com/recommendedalbums2010page1.html

The Kenn Morr Band - Higher Ground

2011-01-09T08:36:00.000-08:00

By Geraint Davies - United Kingdom

THE KENN MORR BAND: HIGHER GROUND - "Another laid-back vocalist - He almost whispers his songs, but very appealing. Well played, with interesting use of instrumentation and really good harmonies. Favourite: 'Higher Ground' itself."

Rootstime Magazine, Belgium by Valsam

2011-01-06T09:46:00.000-08:00

-“The fifth album of Kenn Morr is called ‘Higher Ground’ and contains a secret treasure, true jewellery with ten twinkling pearls that he sings in his typical laid back and almost whispering style. Our advice: buy this record and enjoy it for yourself as many times as you desire. It’s absolutely worthwhile!”
– www.rootstime.be -

It was for us a great pleasure to review the new and fifth studio album from Kenn Morr. The album "Higher Ground" was released under the group name "The Kenn Morr Band" with contributions of Kenn’s band consisting of strings virtuoso Tom Hagymasi, bassist Dan Hocott and drummer / percussionist Bob Gaspar who added great value to songs which are treasures.

Ten new original compositions adorn this album which, like Kenn's previous album, contains very catchy, uplifting songs. Like with the previous album Kenn is immediately reminiscent of Elliott Murphy. We do not know if Kenn Morr knows his voice and music are so closely linked to the music of the troubadour, but he might agree to give Elliott Murphy his songs because they could be included in the repertoire of this international star.

Kenn Morr is mainly influenced by artists such as Bob Dylan, Tom Petty and Gordon Lightfoot and that's evident when you hear the songs on "Higher Ground". The origin of these songs are Kenn’s acoustic guitar and they are exquisitely dyed by the brilliant instrumentation of the band, especially the violin and mandolin sounds of Tom Hagymasi.

In addition to being a talented musician Kenn is a husband and the father of two young sons. Music seems to be the thread in the family as you can picture Kenn in his house somewhere on the acoustic guitar strumming. That is where the songs on the new CD "Higher Ground" seem to come from.

In conclusion, our personal favorite songs:" Standin 'Still', title track "Higher Ground", "Restless Wind", "Another Year", "Things I've Done" and the wonderful capstone "Fly Free". Laid back sung, almost whispered gems that make us conclude that you should sample the album 'CD Baby's website and you will make the decision to have Kenn Morr’s Higher Ground in your homes so you can enjoy as often as you like.

Rootstime Magazine, Belgium by Valsam

2011-01-06T09:41:00.000-08:00

Toen ik in juni 2008 de cd “Move On” van de uit Connecticut afkomstige singer-songwriter Kenn Morr van een zeer positieve recensie voorzag, reageerde deze artiest op bijzonder sympathieke wijze door ons nog 5 extra exemplaren van die plaat toe te sturen die we met veel plezier onder onze lezers via loting mochten verdelen. Ik ben er van overtuigd dat de winnaars dat schijfje sindsdien nog vaak in de cd-speler hebben gehad want het was inderdaad een dijk van een plaat.

Het was voor ons dan ook een groot genoegen om de nieuwe en vijfde studioplaat van Kenn Morr toegestuurd te krijgen. Het album “Higher Ground” werd deze keer uitgebracht onder de groepsnaam “The Kenn Morr Band” waarmee hij de gesmaakte bijdragen van zijn begeleidingsgroep bestaande uit snaren- en toetsenvirtuoos Tom Hagymasi, bassist Dan Hocott en drummer-percussionist Bob Gaspar naar waarde wist in te schatten en ze extra in de verf wilde zetten.

Tien nieuwe eigen composities sieren dit album met opnieuw zeer catchy, vrolijke liedjes die ons net als bij de vorige plaat alweer direct doen terugdenken aan Elliott Murphy. We weten niet of Kenn Morr beseft dat zijn stem en muziek zo nauw aansluiten bij de muziek van deze troubadour maar hij kan misschien zijn songs eens aan Elliott Murphy gaan aanbieden want ze kunnen zo op het repertoire van deze wereldster.

Zelf zegt Kenn Morr vooral beïnvloed te zijn door mensen als Bob Dylan, Tom Petty en Gordon Lightfoot en dat klopt ook wel als je naar de liedjes op “Higher Ground” luistert met verhalen over dingen die in ieders leven wel eens aan bod komen en dus voor een grote vorm van directe herkenbaarheid zorgen. Vertrekkend van het ontstaan van deze nummers op akoestische gitaar werden ze nadien in de thuisstudio van Kenn Morr bijzonder sfeervol bijgekleurd door de schitterende instrumentatie van de band, waarbij ons vooral de viool- en mandolineklanken van Tom Hagymasi bevallen.

Als echtgenoot van vrouwtje Jackie en vader van twee zoontjes James en Nolan is Kenn Morr naast een getalenteerde muzikant ook nog een echte familieman. Muziek is de rode draad in het gezin en hij zit dagelijks wel ergens in zijn huis op de akoestische gitaar te tokkelen. Dat is dan ook de plaats waar de nieuwe songs vanuit het niets ontstaan en geperfectioneerd worden tot de tracks die we o.a. nu op de nieuwe cd “Higher Ground” krijgen aangeboden.

Ter afsluiting geven we nog enkele titels van onze persoonlijke favoriete nummers mee ter oriëntering: “”Standin’ Still”, titeltrack “Higher Ground”, “Restless Wind”, “Another Year”, “Things I’ve Done” en het heerlijke sluitstuk “Fly Free”. Laid back gezongen, haast gefluisterde juweeltjes die ons doen concluderen dat u zich ook maar eens de moeite moet getroosten om bijvoorbeeld op de website van ‘CD-Baby’ naar deze tracks te gaan luisteren waarna u snel tot de beslissing zal over gaan om een exemplaar van Kenn Morr’s “Higher Ground” in huis te halen en er zo vaak als u zelf wil van te genieten.

Net Rhythms . com - United Kingdom

2010-12-02T13:10:00.000-08:00

The Kenn Morr Band - Higher Ground by Mike Davies

A Long Island native now living in rural Connecticut, Morr has absorbed the community spirit and simpler life style into his songs, acoustic soulful Americana sung in a soft, whispery style that conjures thoughts of Dylan, Mellencamp, Jackson Browne, Steve Forbert and, at times, even Mark Knopfler.

It’s a warm, intimate sound, the melodies flecked out with mandolins, dulcimer, accordion, fiddle and keyboards on songs that talk of making choices (Standin’ Still), fighting against the everyday odds (Higher Ground, Spinning Wheel), ageing (Another Year), holding on in the face of life’s storms (Restless Wind, Gone) and never letting your dreams grow too old to remember (Fly Free).

His lyrics are peppered with images of change, of leaving things behind to find something more soothing to the soul, and that’s pretty much the effect the music has, whether he’s plugging into the backwoods folk blues of The Jewel or shuffling on the jerky rhythms of Spinning Wheel. One for those cold nights when you want to feel the world still holds a place for you. Morr, please.

Folker Magazine, Germany

2010-12-02T13:03:00.000-08:00

The Kenn Morr Band - Higher Ground

Ken Morr impresses with his whispering vocals and is certainly making it as a songwriter. Through the arrangements his band incorporates a range of many different instruments creating a magical atmosphere. This is Americana overcoming our busy, hectic world.

Kenn Morr Reaches For Higher Ground - (Are You On Something.Com May 2010)

2010-05-19T06:28:00.000-07:00

Kenn Morr is a singer songwriter with an international fan base and five CD’s worth of his own material in release including “Today,” “New Moon Rising,” Coming Home.” Move On,” and his latest, and most mature work to date, “Higher Ground.” A few years ago on this site the late Dr. Philip Lombard wrote, “On Kenn Morr's first two collections he teamed with talented producers, but on "Coming Home," this multi-talented artist decided to produce the album himself. The result has a lucid honesty that is refreshing and long overdue……..How do you put Kenn Morr's distinct vocal sound into words? Well, think of an American Donovan blended with the soft whispering sound of Don Williams.” Morr recently took a few moments out of his busy touring schedule and talked about his new CD and shared some valuable insights on what it takes to be an independent artist in the 2000’s.

How’d you get into this whole music thing anyway? What was the first music you heard as a kid that got to you?

I grew up listening to Singer/Songwriters….Simon and Garfunkel…Cat Stevens and James Taylor. I’m the youngest of seven children. So most of my siblings were playing music of the time and a lot of it was the melodic, mostly-mellow music with deep lyrics. Songs that said something. Then when I got into junior high and high school I discovered Jackson Browne, Dan Fogelberg and CSN. When I got to college I was turned onto Gordon Lightfoot, but everything truly changed when my brother Walter made me a tape. One side all Dylan, with a lot of abstract cuts, and the other was Neil Young. And the rest is history. There was nothing else I wanted to do with my life.

How did you go from a guy who played music as a hobby to becoming a professional troubadour?

The first time I picked up a guitar I knew I never felt about anything the way I felt about playing music. Then I wrote my first in long line of horrible songs. But the process of writing became a source of relief for my mind. I was able to express a part of myself through music. And once that connection was made I decided I was going to pursue music.

One day on the way home from a gig my wife turned to me in the car and told me she thought I should quit my day job, sell the house, down-size and cut our expenses so I could be a full-time songwriter/musician. I’ll never forget where we were when she said it. I can point to the spot on the Hutchinson Parkway. It was that much of a powerful moment. I felt like there was somebody else who believed in me enough to completely change her lifestyle. I’ll never forget the feeling. It was a cross between relief and fear. Mostly relief. We placed the house on the market the next day and I quit the job within four months of that day.

Tell us about your new album.

It’s called “Higher Ground.”

Where did you record it?

In my home studio in Colebrook, CT. This is the first album in my career that was recorded with only the musicians in my touring band. It was a conscious decision to capture our vibe without bringing in guests. Fiddler Tom Hagymasi insisted I send the new songs to the band without any arrangements. He wanted to hear the songs in their most naked form. Just me and a guitar or piano. No harmonies, no embellishments. This was foreign to me. Even a bit scary. Because I had always felt it better to present songs the way I heard them in my head. With the harmony, with hooks etc. But looking back it was a great idea on Tom’s part and the record clearly reflects the imprint from Tom and, bassist, Dan Hocott, and percussionist Bob Gaspar.

What’s your favorite tune?

At the risk of choosing one “child” over another I’d have to say “Higher Ground”. That song wrote itself.

The CD came out real fine.

Thanks, the thing I really like about this record is it was written in a very short time and the recording process with these guys was effortless. And I think the music reflects that. Or at least I hope it does.

You are the definition of an independent artist. Of course you write your own material and every artist has their own way of creating the songs, but what happens next?

Once I write a song, I let it sit a while. If when I come back to the song…after having forgotten it… the song goes to the next step. The “demo” step where I work on arrangements, harmonies, instrumentation. This is so I can hear the song “fully-realized” without going through the whole formal process of recording it for a record. If after this process the song still holds up then it goes in the pile to be considered for a CD.

How do you select where or who to record with?

Fortunately these days that’s an easy question. I have a wonderful recording studio in my home. I’ve recorded in studios in Nashville, New York City, Long Island, Queens, Connecticut, Massachusetts upstate NY. Been there, done that. And none of those experiences come close to the comfort of recording in your own space on your own time-line with little overhead and no pressure. And while in the past I’ve worked with professional producers and studio musicians these days I have a band who is so in-tuned with the vision it was almost effortless to record “Higher Ground.”

Where does the financing come from?

The financing comes from us. Fortunately the expense of recording is greatly reduced with a home studio. I’ve mastered my last four releases in Nashville with Benny Quinn who is one of the best in the business. That’s the biggest expense in the recording process, but it’s also totally worth it. In the past when someone financed the project I felt bound to their vision rather than my own. Not a good feeling.

Once you are done how do you publicize your new CD?

That’s the magic question because that goes back to financing. You simply can’t make one of these records without promoting it. So it’s necessary to hire a radio promoter and a publicist. I have a wonderful publicist in Sweden who promotes to radio and press in Europe. He made some headway with my previous release, “Move On,” so we’re looking forward to sending “Higher Ground” through the same contacts and hopefully more channels. We will simultaneously be doing the same in the states.

How do you make it available to the public?

Thanks to the internet the music is available to the world at www.KennMorr.com. The ideal formula is a music fan either hears us on the radio, internet, reads about us or hears about us through word of mouth and goes to the site. There is a link to I-Tunes, CD Baby and several other distributors who help with the transaction.

Let’s talk about live gigs…You’ve opened for some big names; you do the coffee house/club date and you headline your own concerts outdoors…………..How do you get bookings?

I have an agent who helps with the dates. The smaller gigs are fun because they are real up-close and personal. It’s a great way to test material or raps/stories between songs. It’s also a great way to get names and email addresses of new fans and sell CDs.

Which is your favorite type of gig?

Last year I got a bit spoiled. We played Infinity Hall in Norfolk, CT, Sandisfield Arts Center in Sandisfield, Mass., Northwest Nature Center in Windsor, CT. so I’d have to say small theatres are my favorite venues. Recently we played the Bitter End in New York City and that was magical as well. The outdoor venues are also great because the audiences are of all ages. I guess the real answer is any venue where people go to seriously listen is my favorite type of venue. And to quote a famous phrase “size doesn’t matter.” (Laughs.)

When you perform live how much new material do you include?

Now that we have this new record available if I play a night where we are playing two sets, about 18 songs or so. I’d guess we’d play about seven of the new songs. It also depends on the older material I choose to play. A set list is like a puzzle. The pieces all have to go together. Pacing is very important. So that comes into play as well.

Got any stories from gigs gone past?

Every gig has a story. And there is the funny and there is the sad. I’ll never forget playing an in-store at Borders somewhere on Long Island. A woman sat in the audience crying the whole time. I couldn’t figure it out. After the show there was a sealed envelope on my amplifier. It was a note from the woman explaining her brother had just died and she was “sure” he would have loved my music. So while the experience itself was a bit bizarre after I read the note the experience suddenly seemed wonderful. That woman was using the music as her therapy.

Another time I can remember playing a tiny coffee house in Canton, CT. A couple was sitting real close to me for the last set. I was solo. It was informal enough for them to say “play us your favorite song that you’ve written.” I hesitated because I hesitate to have a “favorite.” My songs are like my children. So I looked at the husband, who made the request, and jokingly said “do you have any kids?” He said “Yes...two...” So I said “okay, who is your favorite child?” I thought he would say “I can’t choose between my children.” Instead he quickly answered “Timmy”. Well, his wife was horrified. I started a song and could hear her sternly explaining to her husband “he was trying to make a point. You’re not supposed to have a favorite child. And why is Timmy your favorite?” It turned into a tense scene. They left soon thereafter. Evening ruined by Kenn Morr.

Great stories. What’s the best and worst thing about being an independent artist?

The best thing is you create your art for its true purpose and you can listen to advice but don’t “have to” follow it. The bad part of being an Indy is the fact the financing is always an issue and it’s very difficult to get heard when the big machine runs things. And by “big machine” I mean the major labels. Let’s just say it’s not very easy doing this without the kind of financial backing a major label provides.

Where do you see yourself in five years from now?

Still making music. Ideally for more people at more venues in different places and other countries.

Thanks for your time Kenn. Any final thoughts?

Yes. I’d like to say thank you to you for this interview and I’d like to thank all of the wonderful people who have helped me over the years. Believe me, they know who they are. Finally and most-important I’d like to thank those who purchase the CDs, go to the shows etc. Words can never tell....

Skope Magazine - THE KENN MORR BAND HELP STOLI REACH FOR HIGHER GROUND

2010-05-06T09:30:00.000-07:00

THE KENN MORR BAND HELP STOLI REACH FOR HIGHER GROUND
May 3, 2010 | by Skope Staff

This is an exciting week to be in and a fan of The Kenn Morr Band. I say that becuase I just finished listening to their unreleased new album, ‘Higher Ground’ and it is a wonderful listen. Kenn & the band will be heading to NYC’s Bitter End on this Friday night, May 7th, to officially release the album to the public. We got a chance to talk with Kenn and he was more than gracious on all fronts. He even offers Skope readers a free MP3 of the title track so enjoy!

Stoli: Where are we talking from today and what are you doing today?

KM: I’m at home getting ready to build a portable basketball hoop for my sons and hoping to get it finished before they get home from school.

Stoli: How has the response to your new album, ‘Higher Ground’ been so far?

KM: “Higher Ground” will not be officially released to the public until early May. We’re playing a show at The Bitter End on Friday May 7th to celebrate the release. However those close to me who have heard the album seem to feel it’s my best work to date.

Stoli: Did you know that the album would catch on so well in over eight countries in Europe and any plans to tour there once the volcanic ash subsides?

KM: I would LOVE to tour Europe. “Move On” was the first album I ever promoted there. I was real pleased by response. We’re hoping “Higher Ground” will help open some doors to make a tour feasible.

Stoli: What has moving to the Berkshires done to help elevate your musical creativity?

KM: This is an easy one. I live in Heaven. When each season comes I find myself saying “this is the prettiest season of them all…” regardless of whether it’s the chill of Autumn or the first snow of Winter or Spring’s thaw. Each season is amplified in this part of the world. I grew up on Long Island where the lines between the seasons were a little blurry. In the Berkshiresthere is little doubt when winter ends and spring sets in. Life here is a bit slower than down in NY. Less people. Less traffic. A lot of open roads (and believe it or not I write a lot while driving…) I’ve often said living here is almost “cheating” from a songwriter’s standpoint. I mean from the rivers to the mountains, hills, wildlife etc.. It just makes it easier. Plus we are located in an area that makes getting to New York City and Boston pretty easy. So I never feel cut-off from the rest of the world.

Kenn Morr “Higher Ground” MP3:

SKOPE IT HERE!

Stoli: You are a musician and father of two boys. How do you balance your music passion and being a mentor to your boys?

KM: Funny you should use the word “passion” because that’s exactly what my music is to me. But parenting is a WHOLE other level of passion. Nolan is 9 and James is 6. Being a good dad to them is far more important than whether or not my album sells. I never thought I’d say those words (much-less believe them) but it’s true. And ironically every member of my band has been a stay-at-home dad at one point in their life. Which is probably another reason we all get along so well. There’s a certain kinship that goes with being an “involved” father. I honestly cannot believe how much I love being a dad. It’s the only job I’ve ever had that matters. And it matters in a BIG way. The balance between music and parenting isn’t easy. But knowing my priorities is REAL easy.

Stoli: Can we expect the Morr boys to be getting into music in the future and do you encourage that?

KM: We have this wonderful recording studio at the house where(most of) my last three titles have been recorded. My son James has his little black drum kit in the studio. Both boys have shown interest in music. And there are instruments all over the house. So we make it “available” to them without pressuring them or being structured. I’ve made it clear to them I will do anything to help them learn to play and write etc. so long as it comes from THEM and not me. It’s really the only way. I don’t want to ever take something as wonderful as music and “force” it. So I try to “encourage” in a subtle way because I’d hate to chase them away. I didn’t start playing and writing until I was 19 years old and it only happened because I wanted it so badly. And once I started I couldn’t stop. “The Morr Brothers” have already cut songs in our studio. They love it. They switch off between instruments. James has taken some lessons and Nolan played some violin in school. But it’s all real laid-back. I guess this is a “wait and see”.

Stoli: You have put out 5 albums which is awesome. Do you think that with technology your fans will buy your music digitally right off your website one day?

KM: My CDs are currently available on my website at www.KennMorr.com. There’s a direct link to I-Tunes for downloads and to CD Baby if fans want the CD. So (thankfully) technology has already made it possible to purchase off the site. Which is wonderful.

Stoli: Where can readers pick up the new album both physically & digitally?

KM: Please go to www.KennMorr.com and click the links and the music will be in your hands instantly.

Stoli: You have alot of live shows coming up. What can we expect from a live Ken Morr show?

KM: You can expect to see four guys who love playing music together. And our vibe seems to be infectious to the audience. I also think injecting some humor into my raps between songs is a real important aspect. Much of what I write about is real life things. Real emotions, real situations and real feelings. So it’s nice to balance that with humor.

Stoli: I found your music to be very mellow but melodic which I like alot. Would you say that your music is a direct reflection of your personality?

KM: “Mellow and Melodic”…I like that. And I agree. I never made the connection between mellow, melodic and my personality. But I guess it’s undeniable. Much of the time I’m looking for the funny angles in life. In most situations. But my music let’s me express the more serious and reflective part of my personality. I’ve often said if I spoke about the things I sing about nobody would want to hang out with me. Music lets me express the more serious emotions. I’m able to sneak those emotions to the listener through mellow and melodic music (to use your words.)

Stoli: Have Tom, Dan, & Bob always been with the band and how did you all come together to make music?

KM: I’ve had the pleasure of playing with COUNTLESS musicians. And on Long Island there was no shortage of talented players due to the close proximity to New York City and all the major studios. When we moved to Connecticut to raise a family I started from scratch. And it did not take long to realize what I had been told. This area is literally a breeding ground for great players. I formed a few different bands and kept looking for the “right” players. Then one day I got an email from Bob Gaspar saying he purchased one of my CDs at a local store and he was wondering if I was looking for a drummer. Ironically I was looking for a drummer and asked Bob to come over. He blew me away the first time I heard him play. He plays mostly hand drums and percussion and is also great on a standard kit. I knew I had a vital “new” piece to my puzzle. We played at a coffeehouse and were approached by bassist Dan Hocott. He said he liked the sound and wondered if we’d be interested in jamming with him. He came to the studio shortly after and the three of us grooved like we had been playing together for a hundred years. The final piece of the puzzle came when my friend Ben heard me say I was looking for a multi-instrumentalist. Ben placed an add for a player (unbeknownst to me) and Tom Hagymasi responded. Tom plays fiddle, accordion, mandolin, bouzouki and sings wonderful harmonies. The first time the four of us jammed was amazing. And it’s still amazing to me. It’s the first time in my career where I can use the word “effortless” to describe playing with a band.

Stoli: For those just learning of the Kenn Morr band here at Skope, what is one thing you want them to know about you to remember you by?

KM: I’m hoping to be remembered by the songs and the honest and simple approach we have to the music and the joy we share when we play it. I have a big wooden carving hanging on the studio wall that says “SIMPLIFY”. That kind of says it all.

Stoli: What is coming up for Kenn Morr Band and where can we follow you guys online?

KM: As I mentioned, we are releasing “Higher Ground” on Friday May 7th at the (legendary) Bitter End on Bleaker St. in NYC. The show starts at 7 pm sharp and tickets are $15 which includes a copy of “Higher Ground”. We are also playing a Connecticut release show at the Buttonwood Tree Performing Arts Center in Middletown CT on Friday June 11th. The show starts at 8 pm and admission is $10.

Kenn Morr, by Gary Allen @ Tennessee Concerts.com

2009-12-23T10:37:00.001-08:00

Americana roots rocker and singer songwriter Kenn Morr may not stand out in a crowd yet, but he is writing songs that could
become part of American musical culture. As the drummer with JJ Cale, these songs sounded pleasantly familiar poetically and the
delivery sincere and as irresistible as the reluctant legend from Tulsa himself. I sense the same humility and musical integrity in him as Cale, who retains a quiet on stage demeanor that allows the music to speak for itself. We also have crossed paths with Kenn on his musical journey with legendary producer Bob Johnston, who recorded my former boss, Charlie Daniels on Dylan's Nashville recordings. He has also been compared to Leonard Cohen who took Daniels on his first European tour years before we made a name for ourselves.

Kenn plays guitar, piano, mandolin, lap steel, harmonica and has even produced himself in his own home studio. He pulled off an impressive first runnerup status in my Sonicbids "Best Song In The World Competition", and this round was stiff as Richard Nixon.

Humble and well grounded, he may back peddle the notion, but his songs rate up there with tunes from Music City's finest writers. The Connecticut troubadour has the rare ability to chart what appears to be familiar territory but taking a fresh new path. His latest CD Move On, is unique, the lyrics universal and his vocal delivery comparable to Gordon Lightfoot and Tom Petty at the top of their game.

Kenn's vocal patterns are guarded, genuine, original and intriguing. He seems to have an unending well of melodies that echo purpose and evoke deep thought and a well balanced laid back approach to life and song. I appreciate an unconventional style with conviction; Kenn along with his band are a pleasant and interesting combination. The songs from his fourth CD Move On, are honest and personal and seem to be from a kindler gentler place than where we live today. It takes masterful lyrics and thought provoking topics to take the audience on that trip.

Kenn has an eclectic style that successfully blends jazz, rock folk and countless textures and colors . I first saw Kenn on YouTube, and I flashed back to seeing a young Donovan opening for English rockers, Yes. Donovan also trekked back and forth to Nashville in the early days and cut several singles on small labels before radio gave him the proverbial nod. Kenn is radio ready, now he has to let radio jump on his bandwagon. JJ Cale says do what you do best and let your audience come around to you.

I advise Kenn to enjoy the family time and the mountain foothill scenery before record companies and promoters start pounding on his door with corporate sponsored deals and a year long itinerary. The power to realize your dreams are in your hands and in your songs. If you follow the music, all the rest will follow. Congratulations and much success! Artists of your caliber is what makes it all worthwhile for me to be involved. Merry Christmas & rock the new year with a joyful noise my friend!

- Gary Allen (JJ Cale, The Charlie Daniels Band)

Roots rocker calls Colebrook home

2009-08-25T09:53:00.000-07:00

By JULIE WEISBERG – Staff Reporter
August, 14, 2009

WINSTED — The Northwest Corner has played muse to countless artists who have sought inspiration from its deep green forests, rolling hills and running waters.

Among them is musician Kenn Morr.

Morr, who moved to Colebrook from Long Island nine years ago, has been writing and recording his own brand of American roots rock music for more than a decade.

But the veteran singer/songwriter credits his relocation to the area with helping to move his musical career forward.

“When I was in New York I was writing about all of this,” he said, standing in his kitchen and motioning to the blooming flora outside his Sandy Brook Road home. “And now here I am, and it’s all around me.”

For the past several years, The Kenn Morr Band has been a staple performer at Winsted’s annual summer concerts at East End Park.

And next week Morr and his band will close out this season’s series. The concert will take place on the park’s Rotary Stage Thursday, Aug. 20, beginning at 7 p.m.

Although he now performs at several other outdoor venues throughout the area each year, Morr said Winsted will always be a special place for him to play live.

“Winsted was one of the first local towns I played after moving up to Connecticut,” he said. “I came here virtually unknown, and places like Winsted helped me; they took a chance.”

He added that the park itself, and those who attend the concerts, also contribute to the fun.

“There is something really nice about playing there,” Morr said. “I love the park. And we always have good crowds there. They are very receptive.”

In 2004, Morr released “New Moon Rising,” which was recorded in Nashville and produced by Bob Johnston, who produced Bob Dylan’s “Blonde on Blonde” and “Highway 61.”

“I learned from the best,” Morr said of the experience.

About four years ago, however, Morr completed work on his own home recording studio. Since then, he has self-produced, recorded and mixed his last two albums — “Coming Home” and “Move On” — there.

Both records were also released through his own label, Sandybrook Records.

“It’s all done here. This is the factory,” he said, adding that the only part of the CD-making process that is not completed in his Colebrook studio is the mastering, which is done in Nashville.

Currently, Morr — who shares his home with his wife, Jackie, sons Nolan, 8, and James, 5, and the family dog, Lightfoot (named after one of Morr’s musical heroes, Gordon Lightfoot) — is completing work on a new album due out early next year.

The band’s newest album, “Move On,” generated a lot of interest and solid reviews, especially in Europe. Morr said he hopes to build on that success with the new record, both abroad and here at home.

“With this next record we’re hoping to make enough noise for somebody to say, ‘Hey, come [tour] with us,’” Morr said, adding that once the album is completed, he would like to have a local CD release party to celebrate.

“But whatever the plan is, that’s what I’ll subscribe to,” he said of the future.

For more information about The Kenn Morr Band, visit kennmorr.com. Morr’s music is also available for download on iTunes and at CDBaby.com.

A Review in Melodic.Net, Sweden

2009-05-23T11:18:00.000-07:00

Kenn Morr - "Move On"
I don't know if it's good or bad to have such a wide taste for music that I have. One day I'm into Skillet, the other day I'm into classic AOR a'la Journey, the third day I'm into soft american midwest rock and in that way it goes... Probably it's good I beieve. Anyway - here is a guy that you can put under the "SOFT AMERICAN MIDWEST" - sort of music. Let's make it clear from the start - Kenn Morr sits on a very strong cool voice somewhere between John Prine, Mark Knopfler and Shawn Mullins and there are a bunch of very nice songs on the album...
by Par Winberg

Le Cri Du Coyote Magazine - France

2009-04-27T19:09:00.000-07:00

The first 2 CD's of a resident of Connecticut via Long Island were produced by Bob Johnston known for his works with Bob Dylan, Simon & Garfunkel, Leonard Cohen and other artists. This 3rd CD is produced without Bob. And is this a mistake? Not really! In this case, he produces and writes all 12 songs and plays a bunch of instruments. Kenn Morr is totally responsible for the results! Rest assured, he is not an embarrasment: the folk rock he supports is good business, kind of part Elliot Murphy and John Mellencamp. Moreover, interest grows with each listen. For example, a song like Move On doesn't come on strong the first listen, but by the 5th listen, you're hooked! A very good sign. This album is dedicated to the memory of Dan Fogelberg and is part of (our) good picks at this time of year.(JJC)
(Translated by Mimi Burnham)

Boston Music Spotlight - Getting To Know The Kenn Morr Band

2009-04-15T07:25:00.000-07:00

This week, get to know The Kenn Morr Band. You can catch the band's next area show at Mocha Maya's Coffee House in Shelburne Falls on April 18.

Band Name: The Kenn Morr Band
Members:Kenn Morr: Vocals, Guitar, Piano (Colebrook, CT)
Bob Gaspar: Percussion/Drums (Barkhamsted, CT)
Dan Hocott: Bass/Backing Vocals (Southington, CT),
Tom Hagymasi: Bouzouki, Violin, Accordion (Torrington, CT)

Releases:
Move On (2008)
Coming Home (2006)
New Moon Rising (2004)

Website: www.KennMorr.com
www.myspace.com/wwwkennmorrcom

How did you start/form the band?

I'm originally from Long Island and grew up just 35 mins from NYC. I started performing as a solo act. Then a duo playing mostly covers. When I decided to play all-original material I was able to draw from the bottomless sea of wonderful musicians from LI and NYC. We moved to Colebrook to live in the country and raise a family. I quickly realized this area is also soaked with amazingly talented musicians and I've been fortunate enough to find players who totally "get" or understand my music.

Who are some of your influences?

Bob Dylan, Cat Stevens, Dan Fogelberg, CSN, Jackson Browne, Tom Petty etc.

Finish the sentence: Someone would like your band if they like...

Honest, Melodic, Rhythmic, Rootsy and Poetic music (or the music from the above artists.)

What has your most memorable moment as a band been?

Wow. Tough question. "Most memorable" is recording the New Moon Rising CD in Nashville with the legendary Producer Bob Johnston (who produced albums by Bob Dylan, Simon and Garfunkel, Johnny Cash etc.) "Most memorable" as a band ? Too many to list.

Walk us through your songwriting process:

Most of the time songwriting starts with playing an instrument and a lick or melodic line will come. Usually lyrics will start to fall into place based on the mood or feel of the music. At the very least I record the idea and initial lyric and let it sit. If I listen to it later and I like it enough to continue I'll complete the song and then record a "demo" (for myself) and let THAT sit. If (later) the "demo" is something I like listening to then I know I'll want to sing it and record it for a CD.

Sometimes songs starts with a lyric and I'll sit at the piano or pick up a guitar and hope the lyric will channel the musical "mood". It is never a conscious process. If it is...the song usually doesn't see the light of day because it's too contrived.

Who is the best musician in your band?

Someone in the music business once taught me (very) early on "always surround yourself with musicians who are more accomplished than you are. Make sure YOU are the weak link in the band." I can honestly say the current line-up is my most cohesive group yet. It is literally "effortless" to play with these guys. They have all been in countless other bands and projects and each bring a crucial ingredient to the overall sound.

What is your favorite local venue?

Infinity Hall in Norfolk, CT. It's a wonderful old theatre recently re-furbished. I had the pleasure of appearing there with Aztec Two Step in December. However, my favorite venue(s) are still the outdoor town green concerts we play in the summer. People of all ages come out to hear original music and there's nothing like playing music outdoors under the stars on a summer evening.

What separates you from other local bands?

The original songs and the way they are played. This is a band of highly-seasoned musicians all of whom come from different musical places and they seem to totally understand the vision.

What do you have coming up that people should know about?

We are playing this wonderful venue in Shelburne Falls Mass. called Mocha Maya's. It's an intimate place so we plan on playing it scaled-down and acoustic. It's located at 47 Bridge St. (413) 625-6292. The show starts at 8:30.

Convince our readers to see your next show.

If you like melodic, rhythmic, insightful, poetic and very accessible music presented by totally seasoned professionals through harmonies, electric and acoustic instruments... this band is a must-see.

Red Hot Rock Magazine, Sweden

2009-04-05T08:29:00.001-07:00

Kenn Morr - Move On (English Translation)

For me, Kenn Morr was an unknown name which here releases a truly nice, grown-up Americana album in the spirit of Bob Dylan, John Hiatt and Tom Petty...well- produced and with great song material. There's an easy-going aura about the material, making my thoughts wander off to The Byrds, Eagles and Jayhawks. A comfortable, not too “countrified” sound, quite simply. “River Song” is best, literally floating forwards, plus “Get Back” which quite easily could have been taken from Tom Petty's 'Wildflowers'.

- Petter Seander / Red Hot Rock Magazine -

Kenn Morr at the Peace Cafe'

2009-03-08T11:54:00.000-07:00

March 2009
The Peace Café – Is winter finally coming to an end????

February was a cold month but the Peace Café still had a very warm and welcome show on Valentine’s Day. With a heart shaped theme of reds and whites, the coffeehouse was decked out for an evening to remember Love and both artists played a mix of Love and Love Lost songs that emphasized great instrumentals and wonderful harmonies.

The Opening Artists were new to the Peace Café. Kenn Morr lives in Colebrook, CT. He and his guitar and came to Southington along with Dan Hocott (Bass - Dan lives in Southington) and Bob Gaspar (Drums). It looked like an awkward ensemble on the stage at first, but once the music started it was like a steam locomotive that took the audience on a wild ride down the tracks.

Playing songs from their 3 CDs, they entertained the audience with Pay the Price (Once More), Move On, River Song and Cold Winds. They played Mesa Moon and then went into Lazy Afternoon with some great Bass and Drum solos. In The Name of Rock and Roll kept the pace at top speed before Kenn slowed things down with a song written for his wife, Jackie, called Still Need You Near, a lovely thoughtful tune that reflected on love and family. Jackie and his two fine sons were at the coffeehouse for this. They finished up with a nice piece called Higher Ground. Kenn Morr and his band are a great example of the talent available to us all and we look forward to their return next season.

I am Dan Gabree and you can reach me or others on the Peace Café Committee at PeaceCafe@FirstChurchSouthington.Org.

Kenn Morr "Move On" A Review In Folk World (Germany) Written by Adolf ‘gorhand Goriup

2009-03-07T09:39:00.000-08:00

Singer/Songwriter Kenn Morr ist in seinem Zuhause in Connecticut eine in die ländliche Gemeinschaft eingebundene Persönlichkeit, hat aber mit „Move on“ bereits sein drittes international anerkanntes Album mit zwölf selbst geschriebenen Songs veröffentlicht. Morr singt und spielt Gitarren, Piano, Mandoline und Mundharmonika und wurde bei den Aufnahmen von seinen ständigen musikalischen Begleitern Bob Gasper (Drums, Perkussion) und Dan Hocott (Bass, Gesang) wie auch von Karen Nolan (Geige) und den Sängern Rex Fowler und Annie Golden unterstützt.
Die CD beginnt mit dem Titelsong, einem stillen Song, bei dem das Piano die gefühlvollen Gesänge von Morr und Hocott begleitet. Und in diesem Stil geht es weiter mit sanften balladenhaften Liedern (Make You mine), stillen bluesigen (Once more) und rhythmisch-melodiösen (River Song) Songs. „Don’t turn around“ beginnt mit Nolans Geigenspiel, Morrs Piano und Gaspers Schlagzeug bevor Fowler und Morr ein wunderschönes Duett singen. Karen Nolan, die 1979 in dem Musical Hair debütierte, ist vor allem als Schauspielerin bekannt, jedoch zeigt sie bei „Girl with the auburn Hair“, dass sie noch immer eine tolle Gesangsstimme hat. Morr singt die eindringliche Hauptstimme und wird mit ihrem hypnotischen Sopran hinterlegt. Mandoline, Geige, Gitarre und der schleppende Rhythmus verstärken den Effekt noch und machen den Song zu meinem absoluten Favoriten.
Das Album hat mir mit seinen schönen Gesängen, der musikalisch einwandfreien Begleitung und den stillen Songs recht gut gefallen. Schade dass es nicht mehr Stücke wie meinen Lieblingssong gibt, denn der ist wirklich großartig.
www.kennmorr.com
Adolf 'gorhand' Goriup

(A “rough” translation of the above review In Folk World (Germany) Written Adolf ‘gorhand Goriup)

Singer/songwriter Kenn Morr is in his home in Connecticut a personality integrated in the rural community, however, has published with "Move on" already his third internationally approved album with twelve self-written songs. Morr sings and plays the guitars, piano, mandolin and oral accordion and was supported with the admissions by his constant musical companions Bob Gasper (drums, percussion) and Dan Hocott (bass, sing) as well as by Karen Nolan (violin) and the singers Rex Fowler and Annie Golden.
The CD begins with the title song, a quiet song with which the piano accompanies the soulful songs of Morr. And in this style it further goes with gentle ballads-like songs (Make You mine), songs breastfeed bluesigen (Once more) and rhythmical-tuneful (River song).

Don't Turn Around “ violin play begins with Nolans, Morrs sing piano and Gaspers percussion before Fowler and Morr a wonderful duet. To cirques Nolan which debuted in 1979 in the musical Hair is known above all as an actress, however, she shows in "Girl with the auburn Hair" that she still has a great song voice. Morr sings the urgent main voice and is deposited with her hypnotic soprano. Mandolin, violin, guitar and the plodding rhythm still strengthen the effect and do the song my absolute favorite.

I have liked the album with his nice songs, the musically flawless company and the quiet songs rather well. Because he is really great.

Popolo del Blues - Italy- Kenn Morr's Move On

2009-02-13T06:32:00.000-08:00

Move on is Kenn Morr's new album. This album features songs inspired by the folk era of 60s with great lyrics.

Kenn Morr è un cantautore originario di Long Island ma da tempo di base nel Connecticut con alle spalle un buona carriera come autore e una collaborazione ormai stabile con il famoso produttore Bob Johnstone con il quale ha realizzato New Moon Rising e Coming Home ma soprattutto il recentissimo Move On. Il disco si caratterizza per un songwriting folk di ottima qualità, nel quale spesso fanno capolino atmosfere elettriche. Il disco all’ascolto si svela in tutta la sua piacevole sobrietà, i brani si caratterizzano per atmosfere folk rock in cui spesso tutti gli strumenti sono suonati dall’autore fatta eccezione per Bob Gasper che suona la batteria e Dan Hacott il basso. Godibili sono le atmosfere dei vari brani caratterizzati da riusciti intrecci ora tra chitarra acustica, steel guitar e violino ora dal pianoforte che spesso qua e la sottolinea i momenti più melodici. Molto particolare è poi la sua voce, molto vicina a quella di Nick Drake e spesso caratterizzata da momenti appena sussurrati, quando poi interviene il controcanto di Annie Golden si va vicinissimi alla magia come nel caso della poetica Still Need Your Hear o della sontuosa Girl With the Auburn Hair. Brani migliori del disco sono certamente la corale Once More e al più movimentata Let’s Take Tonight, in cui brilla la sezione ritmica. Se Move On fosse stato pubblicato trent’anni fa probabilmente avrebbe avuto il giusto riscontro diversamente resterà un disco, senza dubbio intenso ma che non smuoverà di una virgola il sistema musicale americano.

Salvatore Esposito

Review in MazzMuzikaS Free-zine 102, Belgium

2008-09-09T11:14:00.000-07:00

Kenn Morr / Move On / Eigen beheer (www.kennmorr.com)
Kenn Morr is een singer-songwriter die vroeger op Long Island woonde en nu alweer geruime tijd in het noordwesten van Connecticut woont. Volgens de begeleidende informatie is Kenn toe aan zijn vierde cd, opmerkelijk feit is dat zijn tweede cd New Moon Rising (2003) werd geproduceerd door niemand minder dan Bob Johnston (o.m. Bob Dylan, Simon & Garfunkel, Leonard Cohen). Maar zowel die cd als de zelfgeproduceerde opvolger Coming Home (2006) hebben mij nooit bereikt. Wel dus deze nummer 4, ook weer door Kenn zelf geproduceerd. Na ettelijke luisterbeurten komt een rustig en subtiel totaalbeeld naar voren. Denk aan J.J. Cale’s stem, maar dan nog meer fluisterend en relaxt, denk aan Cale’s ritmes zoals in het prijsnummer After Midnight dan heb je een eerste beeld van deze cd. Overigens voor alle zekerheid: Kenn rockt aanzienlijk minder dan J.J. In de begeleiding horen we voornamelijk Kenn zelf (akoestische gitaar, elektrische gitaar, 12 string gitaar, lap steel gitaar, piano, mandoline, harmonica en vocalen). Daarnaast is er een belangrijke rol voor Bob Gasper, die allerlei percussie-instrumenten bespeelt. Op bas is ene Dan Hocott actief, op viool Karen Nolan. Rex Fowler zingt mee op één nummer en Annie Golden (ooit actief in de film Hair) op twee nummers. Waar zingt Kenn zoal over? Hij geeft advies om de toekomst met meer optimisme te bekijken in Move On en het pakkende walsje Don’t Turn Around. De liefde speelt de hoofdrol in onder meer Make You Mine (maar Kenn klinkt daarbij zo relaxed dat hij ogenschijnlijk geen haast maakt met wat hij in de titel wil), River Song, Still Need You Near, Let’s Take Tonight, Girl With The Auburn Hair (mysterieus) en Everything Will Be Fine. Er zijn wat accentjes uit de reggaehoek (Get Back) en uit de Ierse hoek. Rustige cd, misschien zelfs iets te ontspannen, maar dat is op een mooie warme zomeravond met een glaasje whisk(e)y onder bereik precies wat we willen. (FS)

Review in MazzMuzikaS Free-zine 102

2008-09-09T11:09:00.000-07:00

Kenn Morr / Move On / Eigen beheer (Translated by: Rijnep Vaneldik)
Kenn Morr is a Singer-Songwriter who used to live in L.I. and now resides in Ct. According to the information in the jacket, Kenn is already on his 4th CD. It is remarkable that his 2nd CD New Moon Rising (2003) was produced by (no) one less than Bob Johnston (o.m.Bob Dylan, Simon & Garfunkel, Leonard Cohen) . But I never got that CD nor the self produced CD that followed, Coming Home(2006). However, I did get #4 which was also produced by Kenn himself. After listening to it several times you recognize a quiet and subtle overall impression. You can get a feel for the CD if you think of J.J.Cales voice, but even more whispering and relaxed, think of Cale's rhythms such as you hear in the favorite number After Midnight. By the way, Kenn rocks considerably less than J.J.. In the accompaniment we hear mostly Kenn himself (acoustic guitar, 12 string, lap steel, piano, mandolin, harmonica and voice.) There is also an important role for Bob Gaspar, who plays all kinds of percussion instruments. Dan Hcott plays bass, Karen Nolan plays violin. Rex Fowler (Aztec Two-Step)sings along on one number and Annie Golden (who has a role in the movie Hair) in 2 of the numbers.
What kind of things does Kenn sing about? He advises to be more optimistic about the future in Move On and in the waltz Don't Turn Around. Love is the main theme in such numbers as Make you Mine (however, Kenn sounds so relaxed that it seems like he is in no hurry to get what the title indicates), River Song, Still Need You Near, Let's Take Tonight, Girl with the Auburn Hair (mysterious) and Everything Will be Fine.
There are some accents from the reggae genre (Get Back) and of the Irish genre. Overall a quiet CD, perhaps even too relaxed, but then, that is exactly what we want on a beautiful summer evening, with a glass of whiskey in hand.

Kenn Morr- Move On

2008-09-01T16:24:00.000-07:00

In this era of corporate-sponsored artists and packaged bands, it’s refreshing to hear a singer/songwriter who recalls a time when music was for the people, thinking at Bob Dylan, Simon & Garfunkel, Leonard Cohen, The Byrds, Johnny Cash, Willie Nelson .... Kenn Morr's new cd is a throwback to the outstanding adult rock of the last years. The recording bridges the gap between generations of music listeners. Morr proves he can live up to his influences, writing meaningful songs ranging from the reggae-inspired “Get Back”, rock-influenced “Let’s Take Tonight”, to the country “River Song”. Hopefully, more quality albums will follow.

- www.rootstime.be

Kenn Morr-"Move On"- Review by RadioIndy

2008-06-12T09:15:00.000-07:00

"Move On" by Kenn Morr is an adult rock album fused with a little country. The standout aspect of this CD is Ken's intimate and honest voice, which draws you in. The arrangements are subtle and deep with nice layers, including tasteful harmonies on a number of tracks. Kenn’s style is very laid back and "cool." Another great quality is the varying textures of the songs, each having it's own identity. You'll hear a great number of influences, such as reggae and Celtic, as well as an overall organic nature to the sound that supports the lyrical content. Highlights are "Get Back" with a nice piano progression and some smooth vocals. "Blue Morn" features some nice harmonica work, nice vocal delivery and interesting changes. "Girl With the Auburn Hair" is cleverly mysterious, with a road weary feel. If you enjoy adult rock/contemporary artists with deep voices and deep messages, you’ll enjoy this CD.
-William and the RadioIndy.com Reviewer Team

Kenn Morr - Move On- www.rootstime.be

2008-06-05T18:44:00.000-07:00

Op een bijgevoegde flyer wordt de volgende vraag gesteld: wat heeft Kenn Morr gemeen met Bob Dylan, Simon & Garfunkel, Leonard Cohen, The Byrds, Johnny Cash, Louis Armstrong, Jimmy Cliff, Carl Perkins & Willie Nelson? Hebt u misschien enig idee? Wel, hier is het antwoord: hun platen werden allemaal ooit geproduceerd door de legendarische knoppenspecialist Bob Johnston. Ontgoocheld door dit antwoord? Dat hoeft niet echt want Bob Johnston heeft het allerbeste uit Kenn Morr gehaald en samengebundeld op diens album “New Moon Rising” uit 2004. De originaliteit van zijn songschrijverstalent, de melodieuze vlot in het gehoor liggende muziek en zijn muzikale, maniakale drang naar perfectie zitten vervat in dit werkje. Dat album betekende de grote doorbraak voor de uit Connecticut stammende Kenn Morr die in 2006 nog een album onder de titel “Coming Home” uitbracht en ons nu zijn nieuwste cd “Move On” heeft toegestuurd. Deze keer heeft hij de plaat zelf geproduceerd en voller doen klinken door toevoeging van een groter instrumentarium, inclusief piano, mandoline, viool, lap steel, mondharmonica en subtiel aanwezige percussie. Voor drie van de nummers zocht en kreeg hij sterke vocale ondersteuning: Rex Fowler zingt mee op het nummer “Don’t Turn Around” en de unieke stem van Annie Golden prijkt trots op “Still Need You Near” (een absoluut hoogtepunt op deze plaat) en op “Girl With The Auburn Hair”. Die kleine dame zal voor eeuwig in onze herinneringen blijven dankzij het liedje “Tell Me Your Plans” dat ze de hitlijsten inzong met The Shirts in 1978, alweer 30 jaar geleden. Dat leverde haar toen een glansrol op in de musical en in de film “Hair”. Maar we zouden het hier voornamelijk over Kenn Morr hebben en diens nieuwe cd “Move On”. Wel, dit werkje bevat 12 zelfgeschreven goede liedjes die stuk voor stuk een gedreven zanger laten horen met een pakkend stemgeluid. De meeste van deze nummers kan je na een paar beluisteringen probleemloos meeneuriën. De liedjes hebben een intiem karakter en bestaan uit eerlijke en op het persoonlijke leven geïnspireerde teksten. De titeltrack “Move On” is een muzikale brief aan een vriend met de raad om het trieste verleden te vergeten en optimistisch naar de toekomst te kijken. Ditzelfde onderwerp komt aan bod in de song “Don’t Turn Around”. Het liedje “Blue Morn” is een autobiografisch verhaal over hoe Kenn Morr de gebeurtenissen van 9/11 persoonlijk ervaren heeft. Hij bevond zich op die bewuste dag heel dicht bij Ground Zero en beschrijft in dit liedje hoe zijn vlucht uit New York verliep en wat zijn gevoelens bij dit weerzinwekkende gebeuren waren. Muzikaal verloopt de reis doorheen deze cd ook over diverse paden. Zo komen vleugjes reggae (“Get Back”), rock (“Let’s Take Tonight”), country (“River Song”) en Keltische invloeden aan bod en toont Kenn Morr ons dat hij een artiest met vele talenten is en in al die verschillende stijlen moeiteloos weet stand te houden. “Move On” is een heel mooie en aangename plaat van een man wiens stem mij steeds doet denken aan Elliott Murphy in zijn ballads. En dat is toch al een hele grote mijnheer, niet? “Everything Will Be Fine” zingt Kenn Morr in het laatste liedje op deze cd. Daar zijn wij inmiddels voor hem toch van overtuigd.
(valsam)
www.rootstime.be

Kenn Morr - "Move On" (Rootstime Magazine)

2008-06-05T11:31:00.000-07:00

An enclosed flyer asks the following question: What does Kenn Morr have in common with Bob Dylan, Simon & Garfunkel, Leonard Cohen, The Byrds, Johnny Cash, Louis Armstrong, Jimmy Cliff, Carl Perkins & Willy Nelson? Care to take a guess? Well, here is the answer: their records were all produced at one time or another by the legendary sound engineer Bob Johnston. Surprised by this answer? You shouldn’t be, because Bob Johnston pulled together the best of Kenn Morr and put it all together on his 2004 album “New Moon Rising. The originality of the songwriter’s talent, the melodious, easy to pick up flow of the music, and his musical, maniacal insistence on perfection are more than evident in this work. That album was the big break-through for the Connecticut native Kenn Morr, who brought out a new album in 2006 under the title of “Coming Home,” and who has now sent us his most recent CD, “Move On.”

This time, he produced the album himself, and gave it a fuller sound by adding bigger instrumentals, including piano, mandolin, violin, lap steel, harmonica, and the subtle use of percussion. He attempted and achieved strong vocal support in three of the cuts: Rex Fowler sings with him in “Don’t Turn Around”, and the unique voice of Annie Golden is highlighted proudly in “Still Need Your Need” (an absolute high point of this record) and in “Girl With the Auburn Hair”. This little lady will live forever in our memory thanks to the song “Tell Me Your Plans” that she brought onto the hit lists in 1978 with The Shirts, even if that was 30 years ago. That performance resulted in her cameo appearance in “Hair,” both the musical and the movie.
But, we really want to talk about Kenn Morr and his new CD “Move On.” This work contains 12 good songs that he wrote himself, which each in its own right demonstrates his captivating vocal talent. After listening to most of these songs a few times, you can start to hum along with them. The songs have an intimate feel, and contain honest lyrics inspired by actual events. The title track “Move On” is a musical letter to a friend, advising him to forget the sad past, and to optimistically look ahead to the future. The same theme shows up again in the song “Don’t Turn Around.” The song “Blue Morn” is an autobiographical story about how Kenn Morr personally experienced the events of 9/11. On that day, he was near Ground Zero, and uses this song to describe his escape from New York and what his feelings were on that terrible day. Musically, the travels reflected in this CD take many paths. There are hints of reggae (“Get Back”), rock (“Let’s Take Tonight”), country (“River Song”), as well as Celtic influences. Kenn Morr shows us that he is an artist with many talents, and effortlessly holds his own across all those styles.
“Move On” is a very pretty and enjoyable album from a man whose voice reminds me of Elliott Murphy singing ballads. And Murphy certainly is one of the best, isn’t he? Kenn Morr’s final song on the CD is “Everything Will Be Fine.” We are convinced this is true for him.
(Valsam) www.rootstime.be
Translated by S. Moskey

New CD From Colebrook's Morr

2008-06-05T11:28:00.001-07:00

By Jack Coraggio- Litchfield County Times

The sound of singer/guitarist Kenn Morr’s recently released album, “Move On,” is very much a reflection of his life in rural Colebrook – nice and mellow.
Certainly, the album’s relaxing Americana folk nature is prevalent throughout the 12 tracks, and is easily distinguishable upon even the first listen. Well aware of the gentle approach “Move On,” his sixth album overall, takes, Mr. Morr said he “warned people this will be the mellowest of the bunch.”
But he just couldn’t help it, as that’s how the tunes spoke to him. Apparently, he prefers not to take a formulaic approach to songwriting, as his creative process allows, “the songs told me how they wanted to sound.”
Of course, it is hard not to keep a melodious tone when one’s four-piece band utilizes such delicate instruments as the mandolin, the violin and the stand-up bass. But the heartfelt sound also stems from his take on the pastoral Litchfield County atmosphere.
So for a man who moved from the hustle-and-bustle of Long Island, NY, to the woods of Northwest Connecticut in 2000, creating a soft, folksy record just came natural, as did acclimating himself to the new environment.
“I love New York City like nothing else, but Colebrook is the greatest place in the world,” commented Mr. Morr. “I asked my brother, who lives in Connecticut, how long it would take for me to adjust, and he told me ‘about 30 seconds.’ I think it took me about 25 seconds.”
It didn’t hurt that he was able to record the whole album in his home’s own recording studio, where the area’s rural aesthetic creeps right up to the door. This is actually the first entire album he produced in his home studio, which he finished building about a year ago. His previous albums were created at least in part in Nashville, Tenn., and one with the help of legendary producer Bob Johnston, who worked with such greats as Bob Dylan, Johnny Cash and Carl Perkins.
“Working with one of the greatest producers who ever lived gave me the knowledge and confidence to produce my own,” Mr. Morr said.
So even though this album was mastered in Tennessee, it is fair to assume that having such creative control over his work afforded Mr. Morr the chance to get the folk sound just as he wanted it. But mellow isn’t the only reoccurring theme.
Within the lyrics, one finds a certain message of delivery and redemption, as is evident in the title “Move On.”
“It may take a few listens to notice, but the album is about moving on and change,” said Mr. Morr, who noted that he had many personal obstacles he had to overcome in recent years. “As I was going through this metamorphosis, I began to notice people close to me going through many of [the same things.] This is about counseling and change. Things happen and the challenge is to believe in yourself, because it is all part of the struggle.”
The chorus to “Don’t Turn Around,” the album’s fourth track, speaks to this odyssey.
“Hey, there’s one thing that will slow you down/ If you find yourself losing ground/ Hold strong, don’t turn around/ Don’t turn around.”
It should be noted, there is one song that acts as the exception to this rule. The eighth track, “Blue Morn,” reveals Mr. Morr’s personal Sept. 11 experience, being just five blocks from the crumbling towers on that fateful blue morn. Then again, whether he realizes it or not, finally articulating that horrific experience may also fall under the “counseling” category.
Now, when it comes to influences, Mr. Morr doesn’t readily compare himself to any one contemporary artist. But he does dedicate the album, at least in part, to the memory of Dan Fogelberg, a well-known singer/songwriter who penned the holiday staple “Same Old Lang Syne,” and somewhat ironically, died shortly before last Christmas.
“Nothing had as profound effect on me as when I found out Dan Fogelberg died,” said Mr. Morr, whose own father passed away when he was just an infant. “He was a major influence on me, and I could not believe how much his death upset me.”
Of course, he also dedicates “Move On” to his wife, Jackie, and their two adolescent sons, Nolan and James.
Next on the agenda, the unsigned folk rocker plans to plug his new album through a grassroots campaign. Though his album is available on iTunes, he will be performing at various venues throughout the Northeast.
His CD release party will be at the 1050 Lounge in New York City at 9 p.m. on Friday, May 16. People may visit his Web site, kennmorr.com, for further tour dates in the area.

Kenn Morr - "Move On" by "Lady" Jane Rushmore, Are U on Something.com

2008-04-14T07:31:00.000-07:00

Kenn Morr, the insightful troubadour from Connecticut, is back with the forth collection of home-spun melodies called "Move On."

This time out he has created an easy rollin', yet provocative tapestry that offers a lot of advice in the form of life lessons learned along the road. Morr's whispering, grainy vocals shout sincerity, nevertheless the lyrics will get you to thinking. Take the title cut "Move On" where he sings, "Gotta get yourself back," but then advises to "move on." This paradoxical tune, as with all the rest, begs to be listened to several times.

As always with Morr's projects there is some fine playing too – pleasant piano-violin jam in the middle of "Make You Mine," tasty and subdued jazz piano opening with a fine harmonica blend on "Blue Morn," etc. The music covers you like a cozy blanket in a tent near the campfire.

A standout track is "Once More." In the opening line the singer lies, saying he's "Got no words to say right now," then proceeds to lay down 19 lines and a chorus worth of words including some of the finest on the CD: "When you're running low on love you know its hard to pay the price."

If you are already a Kenn Morr fan you won't be disappointed with his current offering, and if you are new to his music, the latest work is a fine place to start. To purchase a copy go to www.kennmorr.com

Kenn Morr- "Move On" by Peter D. George, Northeast Sounds

2008-04-14T07:28:00.000-07:00

“Move On,” Kenn Morr’s fourth CD release, finds the Long Island-bred, rural Connecticut-transplanted singer-songwriter and his tight trio fashioning an especially intimate song cycle. Seldom do you hear music so reflective and detailedso honest, and once you’ve heard the album a time or two, you’ll have a tough time getting the memorable tunes out of your head.

Morr composed all the songs, most of which speak of very personal experience, from the opening title track, “Move On”—a musical letter counseling a friend to forget the broken past and embrace the future—to “Blue Morn,” an autobiographical account of the events of 9/11/01. Morr was near Ground Zero at the time and describes—in a moving, yet surprisingly tuneful way—the rush to leave the city where the people “were upside down” and “order wasn’t anywhere to be found.”

The CD takes the listener on a journey from grown-up rock through reggae, country, and Celtic flavors. Morr’s distinctively deep voice is the focus, and the singer also handles guitar, mandolin, lap steel, and harmonica. Dan Hocott supplies harmony vocals and deep bass grooves (stand-up, acoustic, and electric), while Bob Gaspar adds just the right colors on drums and an interesting assortment of percussion. Karen Nolan decorates a few of the songs with seductive violin.

Rex Fowler, voice of veteran folk ‘n’ roll heroes Aztec Two-Step, contributes a memorable vocal to “Don’t Turn Around”another song about embracing the present and future and not dwelling in the past. Romance is a significant part of this song cycle, especially in the two guest appearances by stage, screen, and recording star Annie Golden, who shares the vocal on “Still Need You Near” (a highlight) and adds a haunting, operatic refrain to “Girl With the Auburn Hair.”

“Get Back” is a sharp reggae number about returning to one’s core values. “Late Summer Skies” is one of the most evocative accounts of that catch-in-the-throat time of year that you’re likely to hear, riding lush waves of insects, ocean, and wind.

Put on this beautifully textured collection of songs after a long day—accompanied, perhaps, by “a smoke and a glass of red wine”—“get lost in the music like leaves in the wind” and “know everything will be fine,” as the beautiful concluding song suggests.

“Move On” is a richly rewarding CD to which you’ll look forward to returning.

Coming Home – Kenn Morr

2008-04-07T08:15:00.000-07:00

CD Review by Dr. Philip Lombard

On Kenn Morr's first two collections he teamed with talented producers, but on "Coming Home," this multi-talented artist decided to produce the album himself. The result has a lucid honesty that is refreshing and long overdue.

Morr has created an atmospheric CD about a man's search for himself. It's a collection of personal songs; not just about the singer/songwriter, but also about us all. This album asks many questions which lead to the ultimate question: What is our purpose? It is a musical journey well worth taking. In the end, the artist discovers he's "got no time for worry/too much time is dead" and "the morning sky reminds him that God is out there somewhere." How do you put Kenn Morr's distinct vocal sound into words? Well, think of an American Donovan blended with the soft whispering sound of Don Williams.

The album kicks off with the title track "Coming Home," which opens with a haunting guitar and lovely flowing female harmonies. It's reminiscent of a mid-70's laid-back Eric Clapton tune with a lyric that includes "When we say goodbye I die inside." It doesn't get any more honest than that. "Mesa Moon" sneaks up on you and is complex in it's simplicity. This tune features a very subtle Johnny Cash-type rhythm, which drives the guitar and violin. It's the most country flavored tune on the CD and is the gem of the album. It finds the troubadour out on the endless highway once again and features perfect harmonies that drift over Karen Nolan's violin. Listen to the ladies nail the word…My - i - ind …at the end before the picking guitar fade. If this is any indication of Mr. Morr's ability to write a great country song, then let's hope that someday he'll record a complete album of country music.  Another prize is "In The Name of Rock And Roll." A great title for a wonderful tune that sounds like Dire Straits Unplugged. It features the weaved sound of organ, drums and violin over and under Morr's whispering, talking blues vocal. It's a tune for anyone who's ever plugged in an electric guitar in an attempt to keep rock and roll alive. I'd love to hear Bob Dylan cut this great example of Morr's unique writing.  On "Baby It's Me," the musical mood is elevated. It's the next morning, our hero wakes up and begins to pick up the pieces but realizes that it all begins and ends with him. The melody is gentle on the mind and weaves it's way into your consciousness. The line "Down and out ain't where I want to be" says it all.  On "Cold Winds," Morr's production technique shines through with the crisp sound of violin and guitar that ease you into a flowing feel of the old west – the story of a man who "Got the word and it wasn't good." It's a tune about traveling on with a broken spirit and features a tasty harmonica break plus harmony vocals shared with Rex Fowler.  There are six additional tracks that make up a sensitive reflective CD that is a gift to the ears and senses in these troubling times.

Warm Welcome in Colebrook

2008-04-07T08:12:00.000-07:00

By: Laurel Tuohy

04/27/2006

Many urbanites relocate to Litchfield County and never feel truly comfortable with the different pace of life the region offers, nor are they fully accepted by the locals. Musician Kenn Morr, who writes, plays guitar and sings for The Kenn Morr Band, is not one of those stories. Though he's lived in Colebrook only five years, and had no previous ties to the area, he has reached a level of small-town comfort and familiarity that few achieve.

He ingratiated himself with the locals and the local scenery early on, though not intentionally. "I'm a very private person, so it's a funny thing. The reason I moved here was for seclusion and privacy. I love people, but I love my own time and space too. Now, with two kids, I get even less of that," said the stay-at-home dad to two sons.

"The people here are so nice that all you have to do is be yourself. Nobody comes walking up to my door like, 'Hey, Kenn, wanna hang out?Everyone has given me space, and my interactions have gone smoothly with them because they are such good people. It's simp

He became better known locally through his "Moonlight Meadow Song," the closing number on his second CD, "New Moon Rising," and the first disc he wrote after relocating. "I had just written it. It was almost finished and I got word that Ed Case, a guy that lived up the street, had died. I probably only ever spoke to him twice, but I used to drive by his house and he had this beautiful vegetable garden and he'd be sitting out there and as you passed he'd raise a hand to you. I built up a sort of association with him in my mind.

"He was such a part of this great Colebrook scenery and I thought to myself, 'I want to talk to him,'" Mr. Morr continued. "One day he drove up and I was outside. He called me over and gave me this big brown bag full of the most unbelievable vegetables you've ever seen in your life. It's not like I had stopped and talked to this guy 20 times or anything. He gave me the vegetables, and I later found out that it was his sort of way of anointing you and saying that you are accepted. Like, 'When Ed lets you into his circle and gives you the vegetables, you're in.' That day, he said to me, 'You should come and hang out with me one day on my porch, it's cool under there.' I said, 'Ed, thanks so much, I'm going to do that' and I didn't. Then shortly after that, he died."

"So, I had just about finished this song and I listened to it and I thought, 'It's too short. I want to go with another verse' and I just came out with 'Old Ed ain't livin down the road anymore/Last night they called his number up to heaven's sweet door/He was the last of the old folks, last of a breed/Now there's no one around to grow us the food that we need.' I swear it just came out like that. I was glad my tape was running and I could play it back and write it down. It was his final gift to me," Mr. Morr explained.

"I told his son that his dad gave me a verse, that he inspired part of a song, and then the story spread that 'Kenn wrote something about Ed Case' and I thought that was great, especially if it made people happy. His wife wrote me this sweet note that said, 'Thank you for memorializing my Edward forever,'" said Mr. Morr, who has become part of Colebrook and can often be found on his own porch playing with his sons.

Entry into this Colebrook club and small town landscape was something Mr. Morr hoped for when relocating. The photos from his second and third album covers were shot in and around town.

Though he's had no shortage of song ideas since moving, he's had little time to write, as a result of being home as a dad. "My wife, Jackie, and I said when we wanted to start a family, 'Let's do this right and have one parent at home and raise these kids the right way.'" So they did, and Mr. Morr gave up his day job as an insurance adjustor, though he occasionally does insurance work from home.

"It's different, literally, in every way," said the musician of Colebrook in comparison to his old home in the New York City suburbs. "The people, the way it looks, the way it is. I like living across from a roaring brook that is like a river most seasons. Where I used to live, the houses are literally on top of each other and you walk out your front door and just see neighbors everywhere. Space is an important thing for me mentally. I'm surrounded by trees here, and the people are literally second to none. My 2-year-old, Nolan, just had an emergency appendectomy and people came crawling out of the woodwork, it was like being dropped into the middle of a family. A lot of people that I don't even know that well came by. They dropped off meals and toys, it was great," he said.

When asked if he ever feels under-stimulated or isolated by the remote location, he said, "No. I think I was over stimulated for many years. I haven't had a writer's block yet," he said. Though Mr. Morr hasn't seen many changes to his creative process since moving to Colebrook, he does feel his writing has improved and that he has "found his voice," a state he attributes as much to growing up and becoming a father as to relocating.

Mr. Morr's brand of American acoustic rock calls to mind Bob Dylan, for the low persuasive tones, and John Mellencamp, for the heartfelt quality and accessibility. The songs, which address universal themes such as love, fear, cautiousness and curiosity, speak to everyone. Even Mr. Morr's new songs seem like they've existed forever; they have the time transcending quality often embodied by the organic.

With his forthcoming third CD, "Coming Home," Mr. Morr put to use the lessons he learned by the side of his former producer, the legendary Bob Johnston, and produced the record at home in his wood-paneled studio.

Mr. Morr gives much credit for his progression as a musician to Mr. Johnston. The famed Nashville-based producer has produced records by Bob Dylan, Simon & Garfunkel, Leonard Cohen, The Byrds, Johnny Cash, Louis Armstrong, Jimmy Cliff, Carl Perkins and Willie Nelson, among others. The artists he has worked with range in style from pop to folk and rockabilly to reggae.

Though he was in his 70s when Mr. Morr approached him a few years ago, and from a completely different generation with a different outlook on the world, "he helped me to find my voice," said Mr. Morr.

His "voice," which translates to style in this case, has a dreamy, simple quality that harkens back to a time when American music and life was less complicated, yet just as strongly felt.

"New Moon Rising," the Bob Johnston-produced disc, was completed in 2003, but never marketed or released in a major fashion, though it is available online and at two local stores. "I didn't plan on having another son. He was born and that's what I've dedicated these past two years to. So this is still a brand new record to the public," he said. The guitarist has recently secured a promotional company to get "New Moon" wider release, radio play and perhaps a tour. Listen for tracks off of the CD to air on local radio stations starting April 20.

Though "Coming Home" is also completed and will be sold at Mr. Morr's upcoming gigs, it won't go into wide release for at least six months.

The Kenn Morr Band's CDs are available at www.amazon.com, www.towerrecords.com, and locally at Norfolk's Treasures and the Colebrook Country Store. They can also he ordered my mail. Send $15 per disc to Kenn Morr, P.O. Box 50, Colebrook, CT 06021 and specify whether you want the debut "Today," "New Moon Rising," or the soon-to-be released "Coming Home."

Mr. Morr will have an album release concert at Norfolk's Greenwoods Café June 9 at 8 p.m. Call 860-379-9521 or log onto www.kennmorr.com for more information.